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September 2018
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  • The Production 100
    Tim Dams introduces Televisual’s exclusive Production 100 survey of the indie television sector, now in its 26th year, and finds the rise of the streamers is creating opportunity –but also plenty of anxiety. The report includes the top 100 indies, the
  • The Genre report: Factual TV
    Demand for factual is growing as channels fight ever harder for audiences. Televisual Factual Festival producer Pippa Considine reports
  • All the Fun of the Fair
    ITV and Amazon’s new Vanity Fair adaptation demanded a period drama with a modern sensibility. But how was that balancing act achieved? Jon Creamer reports
  • The Art of the Vfx Super
    Creativity, tech know-how and a cool head are essential attributes for a vfx supervisor. Three top supers tell Jon Creamer how they help create screen magic
  • Channel 4's big move
    Three cities are still in the running for the new out-of-London Channel 4 HQ and three for the two creative hubs. The indies in those cities say the potential prize is immense. Jon Creamer reports
  • IBC preview
    IBC is a great place to check out both new launches and to get your hands on something already announced at NAB. Here’s a small taste of what’s likely to be on offer
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Reports&
surveys

Production 100 2012 Back to Reports & survey Listing

How the Production 100 works
Every year, we send survey forms to independent television production companies throughout the UK and ask them a series of questions – from their turnover, to the rival indies they respect and who they think are the best and worst broadcasters to deal with. We also ask how business has been over the past year, and about the outlook for the 12 months ahead. The facts provided, which relate to the period July 2011-June 2012, form the basis of the Production 100.

The top 100 of these indies are ranked over the following pages according to the turnover of their UK operations. Many superindies, like All3Media, Endemol, Zodiak and Shine, are significant international concerns, owning companies abroad or are themselves part of global conglomerates. But the headline figures in the Production 100 only account for the turnover of their UK operations.

The individual brands of the superindies are not ranked separately, but included within the parent company’s listing.
Staff figures relate to full time staff only. Turnover and profit figures are for the period July 2011-June 2012 or the nearest equivalent. Profits are only published if provided.

A number of indies chose not to reply to the survey and are not included in the rankings. But we’re satisfied that the Production 100 covers the vast majority of companies operating in the UK.

Finally, thanks to all the companies who took part – particularly if you didn’t quite make it into the top 100.



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