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December 2017

In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Production 100 2012 Back to Reports & survey Listing

91 Seventh Art Productions
director-producer Phil Grabsky
turnover £1.2m profits £50k staff 10
commissions 4 hrs 10
key shows Leonardo Live (Sky Arts) The Boy Mir - Ten Years in Afghanistan (C4) In Search of Haydn (Sky Arts)

92 Modern Television
md Griff Rhys Jones director Clare Byrne
head of development Sarah Broughton
turnover £1.2m profit £81k staff 5
commissions 3 hrs 7
key shows Perspectives - The Wind in the Willows (ITV1) Britain’s Lost Routes with Griff Rhys Jones (BBC1)

93 Hardcash Productions
md David Henshaw executive producer Lesley Bonner head of productions Robin Barty-King
turnover £1m profit £85k staff 4
commissions 7 hrs 7
key shows The Great Ticket Scandal (C4) Dale Farm: The Big Eviction (BBC1) Landlords From Hell (C4)

94 Coolabi
ceo Jeremy Banks
director of content Michael Dee 
head of development and production Zoe Scurfield
turnover £1m
key shows Poppy Cat (Nick Jr)
Dead Gorgeous (CBBC/ABC)

95 Skyworks
md Damian Keogh director Colin Mills
director Richard Mervyn
turnover £900k staff 9
key shows Julia Brabury’s Iceland Walks (BBC4)
World from Above (International Distribution)

96 Rise Films
md Teddy Leifer
head of comedy Sam Leifer
turnover £739k staff 3
commissions 2 hrs 1.5
key shows Plebs (Pilot)
The Invisible War (C4)
Knuckle (BBC4)

97 Red Planet Pictures
md Tony Jordan
head of development Simon Winstone 
executive producer Belinda Campbell
turnover £710k profit £59k staff 8
commissions 2 hrs 9.5 
key shows Death in Paradise (BBC1)

98  ClearStory
exec producers Russell Barnes, Molly Milton production manager Alice Lister
turnover £670k staff 4
profit £112k
commissions 5 hrs 9
key shows Gypsy Blood (C4) Sex, Death & the Meaning of Life (C4) World War Two: 1941 & the Man of Steel (BBC4)

99 Lupus Films
joint mds Ruth Fielding, Camilla Deakin
turnover £435k profit £120k staff 4
commissions 2 hrs 2
key shows Animated Random Acts (C4)
The Snowman 2 (1 x 24)

100 Bungalow Town Productions
company directors Rachel Wexler, Jez Lewis
turnover £369k staff 2
commissions 1 hrs 1.5
key shows A5 - working title (BBC)

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