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September 2018

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Only available in print
  • The Production 100
    Tim Dams introduces Televisual’s exclusive Production 100 survey of the indie television sector, now in its 26th year, and finds the rise of the streamers is creating opportunity –but also plenty of anxiety. The report includes the top 100 indies, the
  • The Genre report: Factual TV
    Demand for factual is growing as channels fight ever harder for audiences. Televisual Factual Festival producer Pippa Considine reports
  • All the Fun of the Fair
    ITV and Amazon’s new Vanity Fair adaptation demanded a period drama with a modern sensibility. But how was that balancing act achieved? Jon Creamer reports
  • The Art of the Vfx Super
    Creativity, tech know-how and a cool head are essential attributes for a vfx supervisor. Three top supers tell Jon Creamer how they help create screen magic
  • Channel 4's big move
    Three cities are still in the running for the new out-of-London Channel 4 HQ and three for the two creative hubs. The indies in those cities say the potential prize is immense. Jon Creamer reports
  • IBC preview
    IBC is a great place to check out both new launches and to get your hands on something already announced at NAB. Here’s a small taste of what’s likely to be on offer
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Commercials 30 2011 Back to Reports & survey Listing

Level 3, NCP Building, 32 Brewer Street, London W1F 0ST
t 020 7434 2282

partners John Doris, Matt Hichens head of production Lucy Hayes directors number 24th commissions 2nd peer 16th awards 42nd top ads/directors - 
credits The Arrival by Dom Bridges for Grey/Lucozade; Freddie by Jonny Campbell for DLKW Lowe/Morrisons

“Very competitive!” is partner John Doris’s take on the past year due to “clients finding new ways of spending marketing budgets and taking other unconventional routes, PR companies holding ad budgets and media-buying companies offering ITV and C4 Creative as production suppliers for commercials.” Doris says that working on longer form multimedia projects has been one of the highlights of the year and that making “webisode commercial campaigns for clients direct for their websites” as well as “client film sponsorship and ad-funded long form,” will be the big opportunities ahead.

33-34 Rathbone Place, London W1T 1JN t 020 7323 9933

CEO Andrew Ruhemann COO, Passion Group Penny Verbe COO, Passion Pictures Hugo Sands
directors number 5th commissions 16th peer 17th awards 35th top ads/directors -
credits Office by Darren Walsh for VCCP/; Burberry Beijing Launch 
by Adam Perry/Lee Hempstock for Burberry

Passion’s multimedia launch of Burberry’s flagship Beijing store with animated footage and holograms spread across 20 screens and broadcast to Burberry stores and websites worldwide was a major highlight.

30 Berwick Street, London, W1F 8RH
t 020 7434 3581

key management Sue Goffe, Philip Hunt, Marc Craste
directors number 22nd commissions 19th peer 17th awards 17th top ads/directors -
credits Olympic Flame by Marc Craste for RKCR/Y&R/Lloyds; The Meth Project Campaign by Kristian Andrews/Steve Small/Dave Prosser/Grant Orchard for Organic Inc/The Meth Project

199 Wardour Street, London, W1F 8JP
t 020 7439 7966

ceo/ep th1ng Dominic Buttimore 
ep th1ng Lydia Russell md/ep th2ng Hannah Cooper 
directors number 8th commissions 9th peer 17th
awards 42nd top ads/directors -
credits Piri by Mish Mish for Grey/Glaxo Smithkline; Little Fish by Tom, Dick and Harry for Leo Burnett/Kelloggs

believe Media
3rd floor, 17-18 Margaret Street, London W1W 8RP
t 020 3145 0960

md Kate Elson exec producer Julia Fetterman 
head of production Phil Barnes 
dir number 10th commissions 18th peer 17th 
awards 39th top ads/directors - 
credits Blank by Floria Sigismondi for TBWA/CHIAT/DAY/Absolut; Peacocks, In Search of Incredible by Andy Morahan for Lateral/Digitas/Asus

hotspur and argyle
4th Floor, 30 Brewer Street, London. W1F 0SS 
t 020 7439 3130

md  Danny Fleet directors number 36th 
commissions 31st peer 16th awards 35th
top ads/directors -
credits Rooney- Football Brought to Life by Richard Swarbick for WCRS&Co/The Sun; Ladbrokes by Theo Delaney for M&C Saatchi/Ladbrokes

Hotspur and Argyle says the last year has been “better” than the year before with “bigger budgets but fewer jobs” and a “hell of a lot of pitching” with “late payments by agencies” causing cashflow headaches.

EPOCH films
112-114 Great Portland Street, London, W1W 6PA
t 020 7908 6060

key management Rob Godbold, Dave Knox
directors number 28th commissions 26th peer 13th
awards 42nd top ads/directors -
credits Everyday Race by Everynone for Mother/Powerade; Bed Clock by Chris Hopewell for CHI/Argos

picasso pictures
9-11 Broadwick Street, London, W1F 0DB t 020 7437 9888

key management Jane Bolton, Richard Price 
directors number 10th commissions 14th peer 17th
awards 42nd top ads/directors - credits Crooner by Finkbom for Leo Burnett/McDonalds; BBC Radio Player by Mia Nilsson for Red Bee/BBC

8 Tottenham Mews, London W1T 4AE
t 020 7758 4170

key management Clare Timms, Helen Hadfield directors number 19th commissions 24th peer 17th awards 35th top ads/directors -
credits Mother’s Day by Joanna Bailey for JWT/Debenhams; Fans by Jim Weedon for Anomaly/Sony Champions League

space city
77-79 Blythe Road, London W14 0HP
t 020 7371 4000

Creative director Victor Van Amerongen
md Claire Rimmer  directors number 9th commissions  1st peer - awards 42nd top ads/directors -
credits Ben Fogle at Home by Peter Clapperton for TVLowCost/Typhoo Tea; Rollin, Rollin, Rollin by Lydia Esler for Nestle Rolo

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