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September 2018

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Only available in print
  • The Production 100
    Tim Dams introduces Televisual’s exclusive Production 100 survey of the indie television sector, now in its 26th year, and finds the rise of the streamers is creating opportunity –but also plenty of anxiety. The report includes the top 100 indies, the
  • The Genre report: Factual TV
    Demand for factual is growing as channels fight ever harder for audiences. Televisual Factual Festival producer Pippa Considine reports
  • All the Fun of the Fair
    ITV and Amazon’s new Vanity Fair adaptation demanded a period drama with a modern sensibility. But how was that balancing act achieved? Jon Creamer reports
  • The Art of the Vfx Super
    Creativity, tech know-how and a cool head are essential attributes for a vfx supervisor. Three top supers tell Jon Creamer how they help create screen magic
  • Channel 4's big move
    Three cities are still in the running for the new out-of-London Channel 4 HQ and three for the two creative hubs. The indies in those cities say the potential prize is immense. Jon Creamer reports
  • IBC preview
    IBC is a great place to check out both new launches and to get your hands on something already announced at NAB. Here’s a small taste of what’s likely to be on offer
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Facilities 50 2011 Back to Reports & survey Listing

1 The Mill
“A successful business that retains talent and is both diverse and cohesive” (Absolute); “Continued great work across all areas” (Unit); “Successful management of growth” (MPC); “Their incredible talent for publicity keeps their brand strong” (Smoke & Mirrors); “Professional and innovative” (Envy); “Work on Doctor Who, Merlin and Demons” (Richmond Studios Productions); “For their creativity and some of our favourite ads of the year“(Air Post)

“A very solid brand proposition” (Absolute); “Fabulous work and continued excellence in their animation arena” (Unit)’ “Consistently high quality of work” (Prime Focus); “They are still the leaders in films and commercials” (Splice); “The establishment of the post industry” (Platform)

3 The Farm Group
“They make money” (Lipsync); “Great moves to LA and Manchester” (Clear Cut); “A boutique post house on a grand scale” (Splice); “Continue to be key players in UK market whilst increased profile with US base” (Films at 59); “Well run and commercially sound” (Pinewood Studios Group); “Reputation, credit list, longevity” (Sequence)

4 Framestore
“They are way ahead of the field in cutting edge vfx especially for film” (Smoke & Mirrors); “Great leadership, industry shapers” (Hogarth); “Old fashioned, trustworthy, boutique feel” (uFX); “Consistently good work” (Crow TV); “Innovative work” (Air Post); “Staff, diversity of work, culture” (Rushes); “Still at the top of their game” (Locomotion)

5 Envy
“Lovely edit suites and working environment” (Doghouse); “Continued growth in tough market” (Films at 59); “Confident, stylish” (Fitzrovia)

6= molinare
“Reputation for delivering excellence in both film and TV” (Films at 59); “Excellent recovery” (M8media); “Quietly tenacious, constant” (Fitzrovia)

6= Evolutions
“Clever technical approach to complex projects” (Prime Focus); “Good business strategy” (Doghouse)

8 Double Negative
“The only brand the US really rates” (Crow TV); “International reputation” (The Farm Group)

9= Rushes
“They invest in the Soho Shorts Film Festival” (Splice); “Always been cool” (Suite)

9= Films at 59
“Strong broadcast work” (The Mill); “Well run, friendly, loyal clients” (Envy)

9= Glassworks
“Quality of creative product” (MPC); Great people…quality output” (Time Based Arts); “Great creative work in the last 12 months” (Finish)

9= Absolute
“Diverse and growing creative work” (The Mill); “Lovely work coupled with good client services” (Unit); “High quality adverts” (Molinare); “Creative, boutique, specialist and meticulous” (Factory)

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