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May 2012
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In the magazine
Only available in print
  • Best of British
    Spotlight on the UK film industry
  • Top 50 directors
    The UK's finest filmmakers
  • Out of the shadows
    Leading film DoPs discuss their craft
  • Age of the stage
    A profile of the UK's leading film studios
  • Soho goes global
    Why Hollywood turns to Soho for its vfx
  • Finishing school
    The demand for UK colourists
From the magazine
Available to read online
  • The UK's top 40 film production companies
    Televisual's inaugural film survey kicks off with a showcase of the UK's leading film production companies. Tim Dams profiles the indies behind some of Britain's biggest and best films
Read >>

Reports&
surveys

Facilities 50 2011 Back to Reports & survey Listing

1 The Mill
“A successful business that retains talent and is both diverse and cohesive” (Absolute); “Continued great work across all areas” (Unit); “Successful management of growth” (MPC); “Their incredible talent for publicity keeps their brand strong” (Smoke & Mirrors); “Professional and innovative” (Envy); “Work on Doctor Who, Merlin and Demons” (Richmond Studios Productions); “For their creativity and some of our favourite ads of the year“(Air Post)

2 MPC
“A very solid brand proposition” (Absolute); “Fabulous work and continued excellence in their animation arena” (Unit)’ “Consistently high quality of work” (Prime Focus); “They are still the leaders in films and commercials” (Splice); “The establishment of the post industry” (Platform)

3 The Farm Group
“They make money” (Lipsync); “Great moves to LA and Manchester” (Clear Cut); “A boutique post house on a grand scale” (Splice); “Continue to be key players in UK market whilst increased profile with US base” (Films at 59); “Well run and commercially sound” (Pinewood Studios Group); “Reputation, credit list, longevity” (Sequence)

4 Framestore
“They are way ahead of the field in cutting edge vfx especially for film” (Smoke & Mirrors); “Great leadership, industry shapers” (Hogarth); “Old fashioned, trustworthy, boutique feel” (uFX); “Consistently good work” (Crow TV); “Innovative work” (Air Post); “Staff, diversity of work, culture” (Rushes); “Still at the top of their game” (Locomotion)

5 Envy
“Lovely edit suites and working environment” (Doghouse); “Continued growth in tough market” (Films at 59); “Confident, stylish” (Fitzrovia)

6= molinare
“Reputation for delivering excellence in both film and TV” (Films at 59); “Excellent recovery” (M8media); “Quietly tenacious, constant” (Fitzrovia)

6= Evolutions
“Clever technical approach to complex projects” (Prime Focus); “Good business strategy” (Doghouse)

8 Double Negative
“The only brand the US really rates” (Crow TV); “International reputation” (The Farm Group)

9= Rushes
“They invest in the Soho Shorts Film Festival” (Splice); “Always been cool” (Suite)

9= Films at 59
“Strong broadcast work” (The Mill); “Well run, friendly, loyal clients” (Envy)

9= Glassworks
“Quality of creative product” (MPC); Great people…quality output” (Time Based Arts); “Great creative work in the last 12 months” (Finish)

9= Absolute
“Diverse and growing creative work” (The Mill); “Lovely work coupled with good client services” (Unit); “High quality adverts” (Molinare); “Creative, boutique, specialist and meticulous” (Factory)

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