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October 2017

In the magazine
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  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
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  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
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Facilities 50 2011 Back to Reports & survey Listing

1 The Mill
“A successful business that retains talent and is both diverse and cohesive” (Absolute); “Continued great work across all areas” (Unit); “Successful management of growth” (MPC); “Their incredible talent for publicity keeps their brand strong” (Smoke & Mirrors); “Professional and innovative” (Envy); “Work on Doctor Who, Merlin and Demons” (Richmond Studios Productions); “For their creativity and some of our favourite ads of the year“(Air Post)

“A very solid brand proposition” (Absolute); “Fabulous work and continued excellence in their animation arena” (Unit)’ “Consistently high quality of work” (Prime Focus); “They are still the leaders in films and commercials” (Splice); “The establishment of the post industry” (Platform)

3 The Farm Group
“They make money” (Lipsync); “Great moves to LA and Manchester” (Clear Cut); “A boutique post house on a grand scale” (Splice); “Continue to be key players in UK market whilst increased profile with US base” (Films at 59); “Well run and commercially sound” (Pinewood Studios Group); “Reputation, credit list, longevity” (Sequence)

4 Framestore
“They are way ahead of the field in cutting edge vfx especially for film” (Smoke & Mirrors); “Great leadership, industry shapers” (Hogarth); “Old fashioned, trustworthy, boutique feel” (uFX); “Consistently good work” (Crow TV); “Innovative work” (Air Post); “Staff, diversity of work, culture” (Rushes); “Still at the top of their game” (Locomotion)

5 Envy
“Lovely edit suites and working environment” (Doghouse); “Continued growth in tough market” (Films at 59); “Confident, stylish” (Fitzrovia)

6= molinare
“Reputation for delivering excellence in both film and TV” (Films at 59); “Excellent recovery” (M8media); “Quietly tenacious, constant” (Fitzrovia)

6= Evolutions
“Clever technical approach to complex projects” (Prime Focus); “Good business strategy” (Doghouse)

8 Double Negative
“The only brand the US really rates” (Crow TV); “International reputation” (The Farm Group)

9= Rushes
“They invest in the Soho Shorts Film Festival” (Splice); “Always been cool” (Suite)

9= Films at 59
“Strong broadcast work” (The Mill); “Well run, friendly, loyal clients” (Envy)

9= Glassworks
“Quality of creative product” (MPC); Great people…quality output” (Time Based Arts); “Great creative work in the last 12 months” (Finish)

9= Absolute
“Diverse and growing creative work” (The Mill); “Lovely work coupled with good client services” (Unit); “High quality adverts” (Molinare); “Creative, boutique, specialist and meticulous” (Factory)

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