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December 2017

In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Production 100 2011 Back to Reports & survey Listing

91 Hardcash Productions md David Henshaw executive producer Lesley Bonner producer Andrew Smith staff 3 turnover £1m profit £115k commissions 8 hrs 8 hrs tx’d 6 key shows Britain’s Secret Slaves (C4) Undercover Social Worker (C4) The Paedophile Hunters (BBC2)

92 The Proudfoot Company md Michael Proudfoot producer Simon Richardson director Eddie Frost staff 5 turnover £900k profit £75k commissions 1 hrs 1 hrs tx’d 1 key shows Festival of Britain (BBC2)

93 Glasshead md Lambros Atteshlis head of production Judy Parkinson head of interactive Ian Tonge staff 7 turnover £861k profit £118k commissions 7 hrs 5 hrs tx’d 5 key shows My Life: Big Brother (CBBC) Children of the Riots - Witness (Al Jazeera) Markets (BBC) Bloodhound SSC/IOP (Teachers TV)

94 Lambent Productions company director Emma Wakefield head of production Isabelle Pavitt staff 6 turnover £834k profit £90k commissions 8 hrs 8.5 hrs tx’d 8.5 key shows Kids Behind Bars (BBC3) The Camera that Changed the World (BBC4) Once Upon a Time (BBC2)

95 Machine Productions company director Jane Steventon company director Jane Dauncey staff 3 turnover £759k profit £80k commissions 1 hrs 4.7 hrs tx’d 1 key shows Tati’s Hotel (ITV)

96 Lupus Films mds Ruth Fielding, Camilla Deakin staff 3 turnover £436k profit £118k commissions 1 hrs 10 hrs tx’d 5 key shows The Hive (CiTV) 97 Red Planet Pictures md Tony Jordan head of development Simon Winstone production associate Alex Jones staff 6 turnover £430k commissions 2 hrs 9.5 hrs tx’d 2 key shows Nativity (BBC1)

98 Nerd TV creative dir Jago Lee dir of development John Farrar dir of production Johann Insanally staff 3 turnover £400k commissions 3 hrs 3 hrs tx’d 1 key shows Make or Break Mountain (Animal Planet)

99 Bungalow Town Productions company directors Rachel Wexler, Jez Lewis staff 2 turnover £369k key shows Out of the Ashes (BBC4) Guilty Pleasures (More4) Outside the Court (BBC4)

100 Televisionary creative director Jeremy Hibbard staff 4 turnover £280k profit £55k commissions 2 hrs 7 hrs tx’d 7 key shows Ultimate Ulster (UTV) Hidden Paintings (BBC)

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