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July 2018

In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
Read >>


Production 100 2011 Back to Reports & survey Listing

71 = 3DD Productions ceo Dominic Saville coo Jennifer Bentley head of documentaries Lyndy Saville staff 5 turnover £2.1m profit £3.6k commissions 10 hrs 66 hrs tx’d 66 key shows KOKO POP series 1 & 2 (C4) Prince’s Trust Rock Gala (Sky 3D) Stars of the Silver Screen (Bio)

71 = Great Meadow Productions director Kate Triggs director Robert Cooper staff 2 turnover £2.1m commissions 2 hrs 3.5 hrs tx’d 1.5 key shows When Harvey met Bob (RTE) Room at the Top (BBC4)

71 = Illuminations chairman John Wyver md Linda Zuck head of production Sebastian Grant staff 5 turnover £2.1m profit £100k commissions 4 hrs 9 hrs tx’d 7 key shows Art of Faith II (Sky Arts) Macbeth (BBC/PBS)

74 Novel Entertainment ceo Mike Watts creative director Lucinda Whiteley staff 5 turnover £2.04m commissions 2 hrs 10 key shows Horrid Henry series 3 (ITV) Movie Mayhem (ITV) Horrid Henry: The Movie

75 Oxford Scientific Films ceo Clare Birks executive producers Caroline Hawkins, Alice Keens-Soper staff 8 turnover £2.01m commissions 5 hrs 17.5 hrs tx’d 7 key shows Fatal Attractions (Animal Planet US) meerkats 3D (Nat Geo) Britain’s Witch Children (C4)

76 Matchlight creative director Ross Wilson md David Smith staff 17 turnover £2.003m commissions 9 hrs 18 hrs tx’d 14 key shows See You in Court (BBC1) At Home with the Georgians (BBC2) Imagine: The Trouble with Tolystoy (BBC1)

77 =Hibbert Ralph director Jerry Hibbert director Kim Burdon producer Greg Mills staff 12 turnover £2m key shows Fireman Sam

77 =Seventh Art Productions director-producer Phil Grabsky producer Amanda Wilkie staff 10 turnover £2m commissions 10 hrs 25 hrs tx’d 25 key shows Swallows and Amazons (C4), The Boy Mir - Ten Years in Afghanistan (C4)

79 Reef md Richard Farmbrough director of production Paul Hanrahan head of development Ann Walsh staff 7 turnover £1.986m commissions 5 hrs 80 hrs tx’d 50 key shows Dealers - Put Your Money Where Your Mouth Is (BBC2) Britain’s Hidden Heritage (BBC1) The Tech Show (Discovery)

80 True Vision chief bottlewasher Brian Woods chief spook wannabe Jezza Neumann company conscience Deborah Shipley staff 10 turnover £1.8m profits £40k key shows Zimbabwe’s Forgotten Children (BBC4), Poor Kids (BBC1), Lost Girls of South Africa (C4)

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