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October 2017
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
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  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
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Reports&
surveys

Production 100 2011 Back to Reports & survey Listing

61 Thumbs Up Productions
www.thumbsupproductions.tv md Marty Redman head of development TJ Sherbrooke head of production George Wong staff 6 turnover £3m commissions 3 hrs 30 hrs tx’d 30 key shows Britain’s Next Top Model (Living) School Mum Makeover (Bio) My Big Fat Operation (Bio)

62 Walsh Bros.

www.walshbros.co.uk md John Walsh producer David Walsh staff 7 turnover £2.98m profit £1.7m commissions 6 hrs 23 hrs tx’d 11 key shows ToryBoy (indie doc. feature) Toy Soldiers (BBC) Sofa Surfers (BBC)

63 Coolabi
www.coolabi.com ceo Jeremy Banks director of content Michael Dee head of development and production Zoe Scurfield turnover £2.9m key shows Poppy Cat (Nick Jr), Dead Gorgeous (CBBC/ABC)

64 Hartswood Films
www.hartswoodfilms.co.uk exec producer Beryl Vertue producers Sue Vertue, Elaine Cameron general manager Debbie Vertue staff 7 turnover £2.8m commissions 2 hrs 5.5 hrs tx’d 4.5 key shows Sherlock (BBC1)

65 CicadaBellwether

md Malcolm Neaum head of production Christian Holland staff 6 turnover £2.6m commissions 5 hrs 15.5 key shows Cats From the Clouds (Nat Geo) Immortal Pets (TLC) Great Animal Breakout (Animal Planet)

66 Pacific
www.pacific.uk.com md Rachel Purnell creative director Olivia Ball head of production Carl Green staff 6 turnover £2.55m commissions 3 hrs 20 hrs tx’d 10 key shows Nigella Kitchen (BBC) Baking Made Easy (BBC) Barefoot Contessa (Food Network USA)

67 Blast! Films
www.blastfilms.co.uk company director Edmund Coulthard head of production Claire Bosworth head of factual Alistair Pegg staff 10 turnover £2.5m commissions 15 hrs 32 hrs tx’d 10 key shows Coppers (C4) On the Streets (BBC4) Lennon Naked (BBC4)

68 Quicksilver Media

www.quicksilver.tv md Eamonn Matthews editor Unreported World George Waldrum head of prod Natalie Triebwasser staff 5 turnover £2.4m commissions 9 hrs 17.5 hrs tx’d 14 key shows The Battle for Haiti (C4), Secret Iraq (BBC2), Unreported World (C4)

69 Blue-zoo

www.bluezoo.co.uk head of production Adam Shaw head of development Oli Hyatt head of technology Tom Box staff 12 turnover £2.3m profit £475k commissions 3 hrs 14 key shows Kerwhizz (BBC) Get Squiggling (BBC) Alphablocks (BBC)

70 Kindle

www.kindleentertainment director Anne Brogan director Melanie Stokes staff 5 turnover £2.25m profit £149k commissions 81 hrs 23.5 hrs tx’d 15 key shows Leonardo (BBC) Harry Potter: Behind the Magic (ITV) Some Dogs Bite (BBC) Kindle was the Bafta Kids Production Company of the year in 2010, and is co-producing Sky’s highly antipated drama Treasure Island starring Eddie Izzard. Other highlights of the past year for the company run by Anne Brogan and Melanie Stokes include the 13-part kids drama Leonardo and 52 part commission Dinopaws. Despite these achievements, Kindle says the business climate has “never been tougher. Licence fees are being squeezed and the work of securing funding from other sources becomes increasingly onerous.” Some 84% of Kindle’s revenues come from TV production, with 7% from rights and 9% from new media. Other commissions this year include a third series of CBeebies’ Big & Small.

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