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December 2017

In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Corporate 50 2011 Back to Reports & survey Listing


We asked every corporate production company to name the rivals they most admired. Below are the most nominated

1. The Edge Picture Company

Admired for its “volume of work”, “great reputation”, “storytelling” and its “phenomenally strong creative.”

=2. Pretzel Films
“An energetic and creatively driven bunch” with “creative ideas” cited for its “style” and its “client brands.”

=2. Straker Films

Straker picks up votes for its “consistent high quality productions” and its “good issues-based work.”

=4. The Bank
The Bank is admired for its “integrated offering” and for its creative excellence.”

=4. Wilder
Wilder is cited for its “integrity and creativity,” “consistently high production values” and “good reputation.”

=6. Jacaranda
Cited for “consistent creativity in a climate of ever shrinking budgets,” and “high standards and positive values.”

=6 Jack Morton
Picks up votes for its “award winning work” and for “still producing the biggest events for the biggest clients.”

=6. Pukka Films
Pukka has “shown strong growth despite recession by getting their price versus quality spot-on,” say voters.

=6. RSA
RSA’s quality comes with “the resources of their TV, commercial and feature film divisions behind them.”

=6. Twofour
Admired for the “diversity of its services and work” and for “exceptional solutions across all media channels.”


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