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November 2018

In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 31st exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • The Commercials 30
    Jon Creamer introduces Televisual’s exclusive Commercial 30 survey, reporting on a year of highs and lows for commercials producers.
  • The Drama Genre Report
    With competition from streamers intensifying, UK broadcasters are exploring new drama strategies. Tim Dams reports
  • Primary Colours
    Five leading movie colourists tell Michael Burns the secrets of their craft, and explain the techniques they use to grade movies like The Danish Girl, Peterloo and Baby Driver
  • Up, up and away!
    Thanks to advances in camera technology, the possibilities of aerial filming are greater than ever before. Pippa Considine reports on some of the year’s standout aerial projects
  • OB: Which Way Now
    The OB industry is embracing major change as it adapts to the worlds of UHD, HDR and IP. Michael Burns reports
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Corporate 50 2011 Back to Reports & survey Listing


We asked every corporate production company to name the rivals they most admired. Below are the most nominated

1. The Edge Picture Company

Admired for its “volume of work”, “great reputation”, “storytelling” and its “phenomenally strong creative.”

=2. Pretzel Films
“An energetic and creatively driven bunch” with “creative ideas” cited for its “style” and its “client brands.”

=2. Straker Films

Straker picks up votes for its “consistent high quality productions” and its “good issues-based work.”

=4. The Bank
The Bank is admired for its “integrated offering” and for its creative excellence.”

=4. Wilder
Wilder is cited for its “integrity and creativity,” “consistently high production values” and “good reputation.”

=6. Jacaranda
Cited for “consistent creativity in a climate of ever shrinking budgets,” and “high standards and positive values.”

=6 Jack Morton
Picks up votes for its “award winning work” and for “still producing the biggest events for the biggest clients.”

=6. Pukka Films
Pukka has “shown strong growth despite recession by getting their price versus quality spot-on,” say voters.

=6. RSA
RSA’s quality comes with “the resources of their TV, commercial and feature film divisions behind them.”

=6. Twofour
Admired for the “diversity of its services and work” and for “exceptional solutions across all media channels.”


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