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October 2017
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  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
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  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
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Reports&
surveys

Corporate 50 2011 Back to Reports & survey Listing

PEER POLL TOP 10

We asked every corporate production company to name the rivals they most admired. Below are the most nominated











1. The Edge Picture Company

Admired for its “volume of work”, “great reputation”, “storytelling” and its “phenomenally strong creative.”

=2. Pretzel Films
“An energetic and creatively driven bunch” with “creative ideas” cited for its “style” and its “client brands.”

=2. Straker Films

Straker picks up votes for its “consistent high quality productions” and its “good issues-based work.”

=4. The Bank
The Bank is admired for its “integrated offering” and for its creative excellence.”

=4. Wilder
Wilder is cited for its “integrity and creativity,” “consistently high production values” and “good reputation.”

=6. Jacaranda
Cited for “consistent creativity in a climate of ever shrinking budgets,” and “high standards and positive values.”

=6 Jack Morton
Picks up votes for its “award winning work” and for “still producing the biggest events for the biggest clients.”

=6. Pukka Films
Pukka has “shown strong growth despite recession by getting their price versus quality spot-on,” say voters.

=6. RSA
RSA’s quality comes with “the resources of their TV, commercial and feature film divisions behind them.”

=6. Twofour
Admired for the “diversity of its services and work” and for “exceptional solutions across all media channels.”


 

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