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June 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
Read >>

Reports&
surveys

Corporate 50 2011 Back to Reports & survey Listing

PEER POLL TOP 10

We asked every corporate production company to name the rivals they most admired. Below are the most nominated











1. The Edge Picture Company

Admired for its “volume of work”, “great reputation”, “storytelling” and its “phenomenally strong creative.”

=2. Pretzel Films
“An energetic and creatively driven bunch” with “creative ideas” cited for its “style” and its “client brands.”

=2. Straker Films

Straker picks up votes for its “consistent high quality productions” and its “good issues-based work.”

=4. The Bank
The Bank is admired for its “integrated offering” and for its creative excellence.”

=4. Wilder
Wilder is cited for its “integrity and creativity,” “consistently high production values” and “good reputation.”

=6. Jacaranda
Cited for “consistent creativity in a climate of ever shrinking budgets,” and “high standards and positive values.”

=6 Jack Morton
Picks up votes for its “award winning work” and for “still producing the biggest events for the biggest clients.”

=6. Pukka Films
Pukka has “shown strong growth despite recession by getting their price versus quality spot-on,” say voters.

=6. RSA
RSA’s quality comes with “the resources of their TV, commercial and feature film divisions behind them.”

=6. Twofour
Admired for the “diversity of its services and work” and for “exceptional solutions across all media channels.”


 

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