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March 2018
£10.00


In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
Read >>

How to win access for fly on the wall docs

Danny Fenton, chief exec of indie producer Zig Zag, offers up his tips for how to win access to...

With cameras so easy to use, do we really need training?

Lighting cameraman Graham Reed argues that the TV industry shouldn't turn its back on...

8k – More than meets the eye?

With IBC on the horizon, it’s a safe bet that, like NAB, 4k and 8k (and probably 16k) will...

How to launch an indie...on the Isle of Bute

My father gave me one piece of advice that has remained lodged in my brain for over two decades....

The art of comedy editing

As BBC2 celebrates 50 years of comedy Televisual focuses on the unsung heroes of TV comedy –...

Working with Academics in TV

We’re all enjoying this new wave of expert-led documentaries, where we see a real-life...

The TV tax credits don't go far enough

CEO of Artem special effects, Mike Kelt says that although the TV tax credit is good news, it could...

GPs Behind Closed Doors: how it was rigged

By Russell Butcher, Broadcast and Media Systems Development Director, Altered Images...

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