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October 2017
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
Available to read online
  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
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Tony Hall's speech to the Oxford Media Convention

Speech given by Tony Hall, BBC director-general, at the Oxford Media Convention on Wednesday 26...

Behind the scenes - Kate Humble: Living with Nomads

What kit do you pack when you’re making a film about nomads who live in some of the...

What's the future of 3d?

Broadcast 3D TV, although in its infancy, is a burgeoning market. In the UK, Sky and the BBC are...

Negotiating schools, teenagers and weather: the making of...

Finestripe Production's idea for upcoming BBC Scotland series Teen Canteen began with the canteen...

My IBC2014 highlights

IBC 2014 felt reassuringly familiar this year. Unlike this year’s NAB, where every corner...

Why SIS got out of the OB business

When SIS bought BBC Outside Broadcast five years ago it was in the belief that there was still a...

How to win access for fly on the wall docs

Danny Fenton, chief exec of indie producer Zig Zag, offers up his tips for how to win access to...

With cameras so easy to use, do we really need training?

Lighting cameraman Graham Reed argues that the TV industry shouldn't turn its back on...

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