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October 2017
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
Available to read online
  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
Read >>

TV needs to do more to support female writers

Whilst working up in Edinburgh on a show in the Summer of 2009, my writing partner and I eschewed...

Are quotas the answer to diversity?

Quotas are a start, but are not the only answer to solving the lack of diversity in the TV...

VFX: a model for the successful union of art and science

The UK’s creative industries are quietly turning into a UK economic powerhouse. In fact, they...

Tax breaks are great, but talent is key for VFX

Films have grown increasingly reliant on VFX and quality training and education is crucial for the...

Where has all the young creative TV talent gone?

The CEO of indie Betty, Liz Warner, argues there is something faintly unhealthy about TV at...

What big data and social media can do for you

Lucas Bertrand, ceo of digital distribution and VoD content marketing company MoMedia on...

10 things to think about before televising Glastonbury

The head of BBC Music Television reveals the ten vital things that have to be considered before...

Jungle's Owen Griffiths on creating the perfect audio mix

In October, the main UK broadcasters changed their production specifications in order to transition...

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