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October 2017
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
Available to read online
  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
Read >>

Is branded content still the Holy Grail for producers?

Peter Christiansen, md at Precious, on making branded content work In 1998, The Pepsi Chart...

Mobile TV will come of age in 2012

Convention would have me begin this column with a glittering array of predictions for the year...

Diary of a Range Rover shoot

Cricket producer Lindsay Garka reveals the behind the scenes activity that went into creating a...

CES 2014: wearable cameras, connected everything

A number of interesting cameras debuted at CES. Among them: Liquid Image showed off a $200 wearable...

How to get the most from studio automation

Studio automation software is a very efficient and simple way of consistently delivering high...

Behind the scenes: Secret Horse

Director Conor Woodman on the making of his latest doc, Secret Horse: Quest for the True...

Virals: let the creative do the talking

As a producer, and from a purely indulgent perspective, virals are incredibly satisfying to create....

Local TV is a costly dead end

"I'm an optimist!" declares 'Channel 6' bidder, Nigel Dacre, tacitly admitting that...

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