The Facilities 50
Jon Creamer launches Televisual's 31st exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
The Commercials 30
Jon Creamer introduces Televisual’s exclusive Commercial 30 survey, reporting on a year of highs and lows for commercials producers.
The Drama Genre Report
With competition from streamers intensifying, UK broadcasters are exploring new drama strategies. Tim Dams reports
Primary Colours
Five leading movie colourists tell Michael Burns the secrets of their craft, and explain the techniques they use to grade movies like The Danish Girl, Peterloo and Baby Driver
Up, up and away!
Thanks to advances in camera technology, the possibilities of aerial filming are greater than ever before. Pippa Considine reports on some of the year’s standout aerial projects
OB: Which Way Now
The OB industry is embracing major change as it adapts to the worlds of UHD, HDR and IP. Michael Burns reports
Welcome to the Facilities 50, Televisual’s annual survey and showcase of the post production sector, which we’ve published every year since 1988.
Congratulations to the post houses t...
Televisual’s sixth annual survey of the UK film industry, the Film 40, comes at what seems to be a golden period for feature film production here, writes Tim Dams
Spend on feature producti...
Welcome to the Production 100 2017, Televisual's annual survey of the UK indie TV sector.
2017 marks the 25th year of the Production 100. Before 1993, Televisual used to survey the entire produ...
Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their shows and what they think of it. Tim Dams reports
It can sometimes be very difficult...
For a business that is based on bricks and mortar, it’s notable how dynamic the studio sector is, writes Tim Dams.
New studios are being developed in all corners of the UK – in Scotl...
Welcome to Televisual’s Commercials 30, our annual survey of the UK’s commercials production sector.
Every year, we send survey forms out to the UK’s commercials production com...
The Brexit referendum caused client nervousness but it wasn’t all bad. Jon Creamer finds that corporate producers had reasons to be cheerful last year too
The one thing that probably every...
Pay is always a contentious and divisive subject in TV and production. There’s little transparency or uniformity in pay across the industry, with many people earning different rates for t...
