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April 2017

In the magazine
Only available in print
  • Time to Shine
    The 50 leading corporate production companies
  • Get the Look
    The art of the director of photography
  • Interview: Sue Bourne
    The top director on her latest BBC documentary, A Time to Live
  • NAB Preview
    What to expect at this month's tech fest in Las Vegas
From the magazine
Available to read online
  • Breaking into television
    With diversity high on TV’s agenda, Televisual rounds up industry schemes and training opportunities for new and emerging talent
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The art of: producing Have I Got News For You?

Have I Got News For You? series producer Jo Bunting reveals the behind the scenes...

Lessons from the TV brand builders

Red Bee md, Andy Bryant and executive creative director Charlie Mawer on the 20 key rules of TV...

Aerial filming for EURO 2016

One of the biggest aerial filming contracts this year is UK-based Aerial Camera System's (ACS) work...

How C4 gave rise to the producer entrepreneur

In this extract from a new book on the future of Channel 4, Lorraine Heggessey talks to leading TV...

Future producers need greater fund raising skills

The days of full commissions are thankfully not over but we are seeing a trend for broadcasters to...

How to use drama successfully in 'training films'

Chris Godwin, Creative Director, White Boat TV Mention “training dramas” in polite...

When you’re shooting the TV ad, think digitally too

Despite the rapid growth of digital advertising, brands and agencies are still lagging behind when...

HDR is the key to unlock the 4K future

Janet Lafleur, product marketing, Quantum on why HDR will make all the difference to 4K take up,...

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