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October 2017
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
Available to read online
  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
Read >>

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The art of: series producing The Graham Norton Show

Jon Magnusson, series producer of The Graham Norton Show. "The stakes have got higher with...

The art of: producing Have I Got News For You?

Have I Got News For You? series producer Jo Bunting reveals the behind the scenes...

Lessons from the TV brand builders

Red Bee md, Andy Bryant and executive creative director Charlie Mawer on the 20 key rules of TV...

Editing in the US: Notes from the Big Country

Six years after moving to Los Angeles, British editor Jon Oliver reflects on the differences...

Canon C700 makes a splash in HDR

The Canon EOS C700 was chosen to capture the fast-flowing action of two stunning 4K HDR films made...

Building advanced drama writing skills

Sitting in a large white room just off Carnaby Street, I am listening to 15 writers interact...

Aerial filming for EURO 2016

One of the biggest aerial filming contracts this year is UK-based Aerial Camera System's (ACS) work...

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