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March 2017
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In the magazine
Only available in print
  • Regenerate!
    From Doctor Who to Strictly, BBC Studios get set for a brand new era
  • Keep Calm and Carry On
    The art of live event directing
  • Time for a Pay Rise?
    Salary Survey 2017: Who earns what in television
  • Lean and Green
    Simple ways to make your show more sustainable
  • Little Big Shots
    Adapting a US hit for British TV
From the magazine
Available to read online
  • The fixed rig gets adventurous
    Two new C4 shows - Mutiny and The Polygamists - reveal how the fixed rig is becoming ever more flexible. Their producers explain how the rig is now just one tool among many for telling a good story
Read >>

How to use drama successfully in 'training films'

Chris Godwin, Creative Director, White Boat TV Mention “training dramas” in polite...

When you’re shooting the TV ad, think digitally too

Despite the rapid growth of digital advertising, brands and agencies are still lagging behind when...

HDR is the key to unlock the 4K future

Janet Lafleur, product marketing, Quantum on why HDR will make all the difference to 4K take up,...

The art of...stage design

Nicoline Refsing, founder of production design and staging company Rockart Design, on how to make a...

Ncam on creating augmented reality at BT Sport

Ncam explains how it created the augmented reality in BT Sport’s east London studio space....

The industry that dare not speak its name

Nick Francis, chairman at Casual Films, urges corporate filmmakers to be proud of their creativity...

Create your own simple practical effects

Vfx company Engine House explains how to create your own simple practical effects When sitting...

How suited is your personality to working in media?

Business psychologist and coach Janet Evans says people with introvert and extravert personalities...

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