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May 2016
£4.95


In the magazine
Only available in print
  • Film 40 - producers
    Televisual's fifth annual survey of the film industry showcases the UK's top 40 independent production companies, from Aardman to Working Title
  • Film 40 - cinematography
    Rounding up the top 10 British directors of photography working on some of the industry's biggest films
  • Film 40 - studios, grading, vfx
    A look at the film studios sector, the UK's top film colourists and the booming UK film vfx industry.
  • The art of the fixed rig
    Four series directors of top fixed rig documentaries explain the tricks of their complex trade.
  • Big Picture
    Shooting John Le Carre’s Our Kind Of Traitor across five countries created all sorts of challenges, discovers Tim Dams
  • Interview
    A prolific writer, Anthony Horowitz tells Tim Dams about his latest New Blood
From the magazine
Available to read online
  • Directing - The Hollow Crown
    The Hollow Crown director Dominic Cooke explains how he went from a career directing theatre to his first screen directing job on BBC2's ambitious Shakespeare adaptation
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In defence of presenters

Presenting talent can often be seen by the production community as ‘difficult’,...

How C4's Friday Night Feast was made on the Amira

Olly Wiggins, DP and founder of hire company S+O, describes how he shot Jamie and Jimmy’s...

The power of modern TV sponsorships

I have yet to meet a client that isn’t excited by the prospect of being associated with TV...

Shooting 4K the first time

Woodcut Media joint creative director Derren Lawford on the dos and don'ts of shooting and posting...

A local approach to raising a global budget

Being prepared to localise content for international co-productions can often mean the difference...

How video production can survive in a digital marketplace

A few weeks back I was contacted by an advertising agency that was in the market to acquire a video...

How remote editing is changing the business of post...

When we set up Timeline North in 2012 in Salford, we knew that offline editing would be well...

Is branded content still the Holy Grail for producers?

Peter Christiansen, md at Precious, on making branded content work In 1998, The Pepsi Chart...

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