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October 2017
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
Available to read online
  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
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Behind the scenes: BBC2's Hospital

Tom Currie, series producer on BBC2’s Hospital, on the challenges of steering a hugely...

How to make your production greener

TV needs to become more sustainable, and production companies must adapt, says Roughcut...

Why we self-funded drama doc Sonya

Hannah Veale explains why and how Oxford Digital Media self funded its Soviet spy drama...

The rise of the preditor

Social media marketing agency Media Bounty’s head of content Louise King explains how her...

What happened to the great cut-through ad?

There seem to be two main topics headlining recent conversations amongst those living in ad land....

Reflections on 25 years of Independent Post

June 1992.  Twenty-five years ago this month. Bloody hell. That was when Mykola Pawluk and I...

TV needs to 'graft' or face being 'pied' by younger viewers

We’re repeatedly told social media is a serious threat to traditional, old-fashioned,...

Making it easier to create HDR content

While working on our recent 4K HDR productions – London Light, Hever Castle and Above London...

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