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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
Read >>

The Televisual Genre Report - Live and Event TV

From concerts to cup finals and ceremonial occasions, live events are increasingly important to...

Behind the scenes on Discovery's Slider

Ed Sayer, Head of Original Commissioning, Discovery Networks International explains how Discovery...

Survey: The top ten pro rental cameras

Televisual’s annual top 10 listing of the UK’s most hired cameras is now in its...

Getting your indie investment ready

The founder of indie growth programme Indielab, Victoria Powell, on how to get your business ready...

Interview: director Sue Bourne on A Time to Live

Director Sue Bourne explains how she tackled one of the most sensitive of all subjects in BBC2...

Behind the scenes with the British & Irish Lions

I’ve been thinking about this film for the past four years. Ever since the British &...

The art of a successful comedy

Roughcut TV's head of comedy Alex Smith on how comedy has had to up its game in the multichannel,...

Planet Earth II: how we made a natural history hit

Executive producer Mike Gunton on the making and marketing of Planet Earth II A decade ago I...

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