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December 2016
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In the magazine
Only available in print
  • The Drama Report
    The scripted boom has thrown up all sorts of challenges for drama producers, from rising costs to growing competition
  • The Art of Grading
    The grade provides a stylish and consistent 'look' to a drama, but a great grade can enhance mood, focus and narrative flow
  • High Dynamic Range
    HDR offers incredible creative possibilities for filmmakers. But at this stage few have delivered an HDR project. Jon Creamer talks to some of those who have
  • 2016: The Year in Review
    From Bake Off to Brexit, 2016 has been full of shocks and surprises. Televisual rounds up the biggest TV stories of the year
From the magazine
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Planet Earth II: how we made a natural history hit

Executive producer Mike Gunton on the making and marketing of Planet Earth II A decade ago I...

Factual TV mulls impact of Trump and Brexit

The implications of Brexit and the US election were two of the big talking points at this...

The Christmas ads: who's made what?

All the big brands have now released their Christmas spectaculars and, as usual, very little...

Q&A: Lighting The X Factor

Lighting designer Tim Routledge on the creative and technical challenges of lighting The X Factor,...

Heads of production: technology roundtable

Televisual invited a panel of senior production executives working across broadcast disciplines to...

The changing face of documentary TV

Documentary in the UK is nothing if not dynamic. ITV is recharging its factual output under new...

The art of: series producing The Graham Norton Show

Jon Magnusson, series producer of The Graham Norton Show. "The stakes have got higher with...

The art of: producing Have I Got News For You?

Have I Got News For You? series producer Jo Bunting reveals the behind the scenes...

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