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December 2017
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In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Britannia: behind the scenes

Druids and Ancient Britons battle it out with Roman invaders in Sky and Amazon’s big budget...

Behind the scenes on Discovery's Slider

Ed Sayer, Head of Original Commissioning, Discovery Networks International explains how Discovery...

How Unit delivered the vfx for Sky Atlantic's Britannia

UNIT and its TV & Film Division, UNIT Studios worked on Sky Atlantic’s Britannia, the...

Getting your indie investment ready

The founder of indie growth programme Indielab, Victoria Powell, on how to get your business ready...

Interview: director Sue Bourne on A Time to Live

Director Sue Bourne explains how she tackled one of the most sensitive of all subjects in BBC2...

Behind the scenes with the British & Irish Lions

I’ve been thinking about this film for the past four years. Ever since the British &...

The art of a successful comedy

Roughcut TV's head of comedy Alex Smith on how comedy has had to up its game in the multichannel,...

Planet Earth II: how we made a natural history hit

Executive producer Mike Gunton on the making and marketing of Planet Earth II A decade ago I...

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