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June 2018
£10.00


In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
Read >>

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Bristowe joins Technicolor London as production head

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20 Jul

BBC and BFI unveil 13 shorts for ANIMATION 2018

The 13 short films commissioned through Animation 2018 have been revealed....

20 Jul

BBC Studios to make Jack the Ripper doc for BBC1

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Live and Kicking: The Outside Broadcast Report

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The Art of the DoP

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Survey: The top ten pro rental cameras

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4 Jul

The Televisual Genre Report - Live and Event TV

From concerts to cup finals and ceremonial occasions, live events are increasingly...

25 Jun

The art of the edit

In advance of EditFest London 2018, four editors from the worlds of live action and...

22 Jun

 

 
 
 



























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