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November 2018
£15.00


In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 31st exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • The Commercials 30
    Jon Creamer introduces Televisual’s exclusive Commercial 30 survey, reporting on a year of highs and lows for commercials producers.
  • The Drama Genre Report
    With competition from streamers intensifying, UK broadcasters are exploring new drama strategies. Tim Dams reports
  • Primary Colours
    Five leading movie colourists tell Michael Burns the secrets of their craft, and explain the techniques they use to grade movies like The Danish Girl, Peterloo and Baby Driver
  • Up, up and away!
    Thanks to advances in camera technology, the possibilities of aerial filming are greater than ever before. Pippa Considine reports on some of the year’s standout aerial projects
  • OB: Which Way Now
    The OB industry is embracing major change as it adapts to the worlds of UHD, HDR and IP. Michael Burns reports
From the magazine
Available to read online
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BlueBolt appoints Jonathan Barson as...

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Three new hires for C5 commissioning team

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C4's Tom Porter heads to BriteSpark as programmes...

BriteSpark Films has hired Channel 4 Commissioning Editor Tom Porter as its new...

17 Jan

Clear Cut hires Molinare post producer Harriet Colson

Clear Cut Pictures has appointed Harriet Colson to the newly-created position of...

17 Jan

Studio Ramsay hires Lion’s Lisa Edwards as CCO

Studio Ramsay has appointed Lion Television's Creative Director Lisa Edwards as its...

16 Jan
 

Sony Cinealta Venice camera test: Shadow

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Let's get high: the route to HDR

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Top colourists on the art of the grade

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Behind the scenes of The Informer with director Jonny...

Informer director Jonny Campbell tells Pippa Considine about 
the challenges of...

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The Televisual Drama Report

With competition from the US streamers intensifying, British broadcasters are...

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